![]() This is the main balance of the show, but will the viewer accept the inappropriate violence for a strong narrative? Second, that it leads up to some revelation or plot turn that is dramatic enough to be worthy of the baroque violence. First, that it be central and crucial to the story. Rationalizing this excessive amount of stylized cruelty requires two things. These moments look like horror movies, sterilized just enough to be palatable to a prime time television audience. Writer Daniel Cerone, former head writer of Dexter (2006-2013), pushes the viewer’s boundaries of taste by including several sadistic moments throughout the episode. ![]() While this dynamic is clearly at play in this week’s episode of The Blacklist, “The Djinn” introduces a new dynamic. The cooler something looks, the more the audience is going to tell their rational mind to shut up. The usual gambit The Blacklist plays balances coolness with believability.
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